Harshad Mehta Share Scam Ki Inside Story Inspired From True Events Scam 1992
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Book Details
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ISBN9788198108548
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Pages176
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Avg Reading Time6 hrs
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Age18+ yrs
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Country of OriginIndia
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- Description: * From Srinagar to Kamrup-Kamakhya and from Calcutta to Kochi, the name of Adi Shankar was like a torchbearer to illuminate my path. While searching the footprints of that great traveller, it was not known when the circumambulation across India was completed effortlessly. * Every reform becomes a stereotype over a period. It is the habit of history to witness every revolution becoming hypocritical and free warriors becoming dictators. While being a monk, he had the courage to say that | am neither an idol nor a worshipper, nor am | a priest, nor religion, nor caste. * Adi Shankaracharya has the answers to all the questions of today’s youth, their curiosities and frustrations as well. Who else would be the outstanding management guru than him who changed the consciousness and the ways of life of the entire nation. The monks who were beyond all the disciplines of the world, he organised them into arenas and ashrams. He made them disciplined and organised. The conflict between Buddhism and Hindus was pacified. Shaivas, Vaishnavas, Shakyas, Ganapathis all were put together in one thread. * I hope that this story of that amazing, brilliant child, the miraculous teenager and the charming young Shankar may light up your path and the story might unfold the mystic episodes of his life, which is the prime humble motive behind writing this book.
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- Description: अरुण प्रकाश ने स्पष्ट किया है कि हिंदी में किस तरह 'विधा' का इस्तेमाल 'फॉर्म' और 'जेनर' दोनों अर्थों के लिए होता है। उनके अनुसार उपन्यास एक रूपबंध है जिसकी कई विधाएँ हो सकती हैं। मुख्य बात है, विधाओं या रूपबंधों की सैद्धांतिक कहानी उद्ïघाटित करना, जो 'गद्य की पहचान' में बड़े विस्तार और रोचक ढंग से है। पश्चिम के साहित्यिक सिद्धांतकारों ने फॉर्म और जेनर पर बड़े-बड़े काम किए हैं। मेरे देखने में हिंदी में इधर इस ढंग का यह पहला काम है, जिसमें कुछ बुनियादी सवाल उठाए गए हैं। इस संग्रह के निबंधों में अरस्तू से लेकर बाख्तिन, रोलां बार्थ, तोदोरोव, देरिदा आदि तक के विचारों पर चर्चा है। यह जानने की चीज है कि आखिरकार कोई रूपबंध क्यों अस्तित्व में आता है, किसी युग में कुछ खास रूपबंध या विधाएँ प्रधान क्यों हो उठती हैं, जीवनी जैसा प्राचीन रूपबंध अब भी क्यों जीवित है, जबकि महाकाव्य जैसा शक्तिशाली रूपबंध मर गया, क्या इस रूपबंध की कुछ सीमाएँ और नियम हैं, मिश्रण या संकरता क्यों घटित होती है, क्या नए रूपबंध या विधाएँ पुरातन के ही कायांतर हैं, चिर-परिचित रूपबंध पाठकीय मनोविज्ञान पर कैसा प्रभाव डालते हैं, साहित्यकार किसी रूपबंध से कितना रेजिमेंटेड होता है और कितना उसे तोड़कर नई जमीन देता है—अरुण प्रकाश ने ऐसे ढेरों प्रश्नों की रोशनी में गद्य की पहचान की है। शंभुनाथ (भूमिका से)
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