This is a Board Book and not a Hard Bound Book. So, said he, “Be kind to all! Humungous or little or really, really small!” The Indian saint, Mahavira, believed that all living beings have a soul. And, that each soul is of equalvalue, be it an elephant, an ant or a person. He encourages us to be kind to all. This board book, Kindness With Mahavira will enable children to explore numerous ways of being kind to humans, to animals and to their own selves. The Series, Learning TO BE is a creative way to introduce your little ones to big values in an engaging manner. Written in simple text and magical verse, this series is perfect to read aloud to toddlers (2-4 year olds) and excellent for beginning readers (4-8 year olds). Look for other titles in this series: Service with Guru Nanak and Peace with Buddha. This is a Board Book and not a Hard Bound Book.

This is a Board Book and not a Hard Bound Book. “What happens when our wish comes true, and we receive our doll? We play with it but soon enough, we wish for a shiny ball!” Buddha did not want people to suffer. He reminds us that desire leads to suffering. He encouraged us to think of the path to peace as lying within ourselves. This board book, Peace With Buddha will help children recognize the values of wanting less, finding peace and connecting with their inner selves. The Series, Learning TO BE is a creative way to introduce your little ones to big values in an engaging manner. Written in simple text and magical verse, this series is perfect to read aloud to toddlers (2-4 year olds) and excellent for beginning readers (4-8 year olds). Look for other titles in this series: Kindness with Mahavira and Service with Guru Nanak. This is a Board Book and not a Hard Bound Book.

The Hanuman Chalisa is a prayer that countless Hindus chant all over the world. Written over four hundred years ago by the celebrated poet Tulsidas, it has remained popular with adults and children alike. Now, you can bring home a translation that shines a light on what these much beloved words mean and the stories behind them. My first Hanuman Chalisa is a simple translation of the original Awadhi prayer that has been crafted especially for young readers. The accessible language and accompanying word meanings are meant to ensure that anyone can read and understand the Hanuman Chalisa. The book includes a QR code to an audio recording of the original verses being sung. Our new special edition includes all of the features that made My first Hanuman Chalisa a bestseller as well as: an updated and revised text; several gorgeous new illustrations that depict Hanuman’s life, adventures and the values he stands for; and four colouring sheets for your child to enjoy.

kh is for khichdi. And kh is also for khana! J is for Jalebi is a clever and fun way to introduce children to the Hindi alphabet and to South Asian food vocabulary. There has never been a more exciting Hindi alphabet book. Your child will not be able to put it down! Stunning illustrations will make you feel the jalebis are in your own hands. This book is a must have for those who have foodie babies! Simply put, just yummy!This board book is perfect for toddlers and pre-schoolers (2-4 year olds). This is a Board Book and not a Hard Bound Book.

A young child can often be overwhelmed by the range of complex emotions they feel, often during the course of a single day. Sometime angry, sometimes sad, mostly excited, often glad, so nervous and scared, however ready to dare! A girl and her lion friend are the stars of this book about feelings. After experiencing a range of emotions, the two friends learn that the best way to deal with them is to FIRST take a deep, deep breath! Magical illustrations, simple text and a universal theme, makes this book perfect to read aloud to toddlers (2+ years) and an excellent addition to your picture book collection. You and your child will cherish it forever.

This is a bilingual(Hindi & English) board book. Sing, dance, paint and play your way to counting with fun animal friends! You’ll eat with a couple of monkeys, dance with a bunch of peacocks and create a mess with some naughty rabbits. One Elephant, Two Monkeys is a bilingual (Hindi and English) book that introduces children to numbers, animal names and colour names through a little boy’s adventures with his animal friends. It can be read aloud to toddlers and preschoolers (2–4 year olds) or used to introduce emerging readers (4–7 year olds) to new vocabulary.

This is a bilingual(Hindi & English) board book. Whose feet will the embroidered jootis fit? Will genda try the colouful ghaghra? Who will wear the majestic, pink pagri? Lion and his friends are making a trip to the bazaar to pick their favourite Indian outfits. Are you ready to play dress up with them and try on lots of colourful clothes? A Pagdi for Sinh is a humourous, bilingual story told in rhyme that introduces young readers to Hindi and English vocabulary for clothes and wild animals from the Indian subcontinent. A great way to introduce kids to new vocabulary, it can be read aloud to toddlers and preschoolers (2–4 year olds) or read independently by emerging readers (4–7 year olds).

This is a bilingual(Hindi & English) board book. Join Cow and her band of farm friends as they create music with their favourite Indian instruments to put on an unforgettable concert! Animal Band is a humourous, bilingual story told in verse that introduces children to the rich musical heritage of the Indian subcontinent through a story about farm animal friends who come together to make beautiful music. It’s a great way to introduce kids to new Hindi and English vocabulary on farm animals and musical instruments. This board book can be read aloud to toddlers and preschoolers (2–4 year olds) or read independently by emerging readers (4–7 year olds).

Duster the dog is more of a cat. He loves the naps, the flaps, and the fish. And he doesn't like to announce arrivals, to play fetch, and to dig for bones. Especially, certainly, not the bones. His human craves dog love. Will the two ever be right for each other? Richa Jha narrates with brevity and humour a tiny, universal tale of love and companionship (and expectations) that is sure to strike a chord with the readers. Neeti Banerji's endearing frames are chocked full of details with Easter eggs and parallel threads to add to the re-readability of the story. The minimal palette and simple character shapes - Duster is essentially an oblong with legs - work with the highly detailed line-art to engage and not overwhelm.

The devas are at the gates of the asura kingdom, raring to wage war. But the asuras turn up unarmed and jolly! Is their king, Hasyasura, up to something? Does he have a secret weapon? Indra, king of the gods, is suspicious. Narada sends Hasya sura, the teen deva, as spy from the sky to uncover the plans of his almost-namesake down under. There, in the hurly-burly of Patala politics he meets more than his match in Princess Shantaswaroopa who has ideas of her own to resolve the eternal enmity between suras and asuras! A laugh out loud story that makes a pitch for sporting wars.

Rhea and Dia are inseparable soulmates. But when Isha moves in next door, their friendship goes through trying times. Will Rhea, Dia and Isha become three best pals? And who is that boy always lurking in the background? Richa Jha weaves a clever, believable story of the typical joys, thrills, conflicts, jealousies, patch ups and all the bitter sweet stuff friendships are made of. Alicia Souza's feisty and utterly playful artwork and hand-etched letterings add a charming quirkiness to this delightful story.

Zai’s uncle is the famous 'birdman of India' Salim Ali, everyone in her family is a birding expert, and she herself can’t so much as identify the pipit sitting right under her nose. In this delightful portrait of childhood, Zai Whitaker recounts her early birding woes and how she winged it. Prabha Mallya’s pictures pick up the humour, and are an arresting collage of a bird-filled Bombay of the past, and a troubled little girl with a ‘superstar’ uncle!

The very first words Zakir hears from his famous father, Allarakha, are bols — rhythms played out on tablas! From then on, bols sing and dance in his head, on Amma’s cheeks, on the pots and pans in the kitchen… Sandhya Rao follows these beats, stringing together little vignettes from his life. From a childhood around music to the highs of a performer who took the tabla to the world, this joyous story introduces children to a musical genius, whose busy fingers and flying curls make him the inimitable Zakir Hussain. Illustrator Priya Kuriyan’s fingers add their own magic.

When Fakruddin worries, he gets frantic. And Frantic Fakru is now worried because his fridge is spoilt, the day is hot, and he is desperate for cold water. What does he do? A light-hearted story with a smart idea and cheerful watercolour illustrations which bring alive the ambience of Fakru's neighbourhood in Bhopal.

What does it take for a person to alter the course of a nation? Spotlighting 25 such change-making individuals, the book looks at the times in which they lived, the challenges they dealt with, and the paths they forged. Quick introductions position personalities as game changers, chatty stories sketch their profiles, crisp timelines fill in the gaps, insightful quotations balance perspectives, and creative collages present visual montages. What emerges is the powerful journey of a country at the threshold of change, committed to charting its own course, helmed by its richest resource – its people. Age 10+

“Let’s play house-house!” decide Sunehri and her friends. So they put together some old plates and bowls, empty packets of chips, plastic bottles, a broken helmet… things they’ve collected going about their work in the city on whose streets they live. The game loved by children everywhere takes on a poignant layer when played by those who have never known a home¬. Pictures full of exuberance and detail bring out their spontaneous joy in a make-believe world, which trips side by side with the harsh reality of their lives.

On a visit to Prague, the naughty granddaughter of Princess Libusha casts a spell on Monkeyji. And the only one who can help is Shemeek, the sleeping white horse of Wysherad. But to reach him Aditi and her gang must first deal with a rude sparrow and a dragon who wants to fight. A popular Czech legend is woven into this unusual adventure. Can a problem also become a solution? In a contest, does someone always win?

Aadya looks just like her mother (Aai) same little nose, same delicate ears, same big eyes and identical thick, long hair. But one day, Aai goes away to a big hospital with a promise to return before she learns her next Math lesson. The long-awaited return shocks Aadya because her mother now looks entirely unlike her. She wonders if Aai will ever greet her with her usual cheery, "Hello! Mini-me." Or will She have to take matters into her own hands to hear that again? With lyrical prose and a tender touch, Aai and I is an empowering story about the bond between a mother and a daughter and of the little one finding her own identity as she no longer 'looks' the same as her mother. Mamta Nainy captures Elan Aadya's innocence, impatience, and dilemma, and Sanket Pethkar's vibrant, gorgeous artwork brings to life the nuanced see-saw of the child's emotions in this Maharashtrian household.

Powerful pictures run a visual narrative in this story about a young boy named by his mother after her favourite movie star’s super-flop film – Sura! Sura grows up selling stickers at the Velankanni Church, climbing tall palms and playing under the tamarind tree. Until the day his grandfather arrives. His Thatha is different – a boom boom maatukaarar who travels through towns with his bull and drums, telling people their fortunes. His is a dying breed. A robust coming-of-age story that weaves together real life stories told by the children of nomadic communities.

Looking for a Deep Rose that may make Aditi’s grandmother feel better, the adventurers go to the coast of Devon in England. There they meet the little boy Grendel who lives under the sea, prowls around at night scaring others, can’t remember anything and doesn’t care about it. Re-casting ‘monster’ characters from the Beowulf story, the author wonders if what we see depends on how we see it. Do stories make you look at things differently? Could you be you today, if you didn’t remember who you were yesterday?