A magically beautiful story about Malar and her grandfather. A laptime, bedtime, anytime story for you to share. Enjoy! A beginnerís book for children learning to read.

The old snake is punished – the frogs will now ride on him. The frogs jump for joy – but they had better watch out! This unusual bilingual retelling of a Panchatantra favourite swings sympathy in favour of the snake. Stunning pictures are based on wooden folk toys from Channapatna in Karnataka, a craft style that came centuries ago from Persia.

The old snake is punished – the frogs will now ride on him. The frogs jump for joy – but they had better watch out! This unusual bilingual retelling of a Panchatantra favourite swings sympathy in favour of the snake. Stunning pictures are based on wooden folk toys from Channapatna in Karnataka, a craft style that came centuries ago from Persia.

A magically beautiful story about Malar and her grandfather. A laptime, bedtime, anytime story for you to share. Enjoy! A beginnerís book for children learning to read.

The old snake is punished – the frogs will now ride on him. The frogs jump for joy – but they had better watch out! This unusual bilingual retelling of a Panchatantra favourite swings sympathy in favour of the snake. Stunning pictures are based on wooden folk toys from Channapatna in Karnataka, a craft style that came centuries ago from Persia.

The old snake is punished – the frogs will now ride on him. The frogs jump for joy – but they had better watch out! This unusual bilingual retelling of a Panchatantra favourite swings sympathy in favour of the snake. Stunning pictures are based on wooden folk toys from Channapatna in Karnataka, a craft style that came centuries ago from Persia.

The old snake is punished – the frogs will now ride on him. The frogs jump for joy – but they had better watch out! This unusual bilingual retelling of a Panchatantra favourite swings sympathy in favour of the snake. Stunning pictures are based on wooden folk toys from Channapatna in Karnataka, a craft style that came centuries ago from Persia.

Duster the dog is more of a cat. He loves the naps, the flaps, and the fish. And he doesn't like to announce arrivals, to play fetch, and to dig for bones. Especially, certainly, not the bones. His human craves dog love. Will the two ever be right for each other? Richa Jha narrates with brevity and humour a tiny, universal tale of love and companionship (and expectations) that is sure to strike a chord with the readers. Neeti Banerji's endearing frames are chocked full of details with Easter eggs and parallel threads to add to the re-readability of the story. The minimal palette and simple character shapes - Duster is essentially an oblong with legs - work with the highly detailed line-art to engage and not overwhelm.

The devas are at the gates of the asura kingdom, raring to wage war. But the asuras turn up unarmed and jolly! Is their king, Hasyasura, up to something? Does he have a secret weapon? Indra, king of the gods, is suspicious. Narada sends Hasya sura, the teen deva, as spy from the sky to uncover the plans of his almost-namesake down under. There, in the hurly-burly of Patala politics he meets more than his match in Princess Shantaswaroopa who has ideas of her own to resolve the eternal enmity between suras and asuras! A laugh out loud story that makes a pitch for sporting wars.

Rhea and Dia are inseparable soulmates. But when Isha moves in next door, their friendship goes through trying times. Will Rhea, Dia and Isha become three best pals? And who is that boy always lurking in the background? Richa Jha weaves a clever, believable story of the typical joys, thrills, conflicts, jealousies, patch ups and all the bitter sweet stuff friendships are made of. Alicia Souza's feisty and utterly playful artwork and hand-etched letterings add a charming quirkiness to this delightful story.

“Let’s play house-house!” decide Sunehri and her friends. So they put together some old plates and bowls, empty packets of chips, plastic bottles, a broken helmet… things they’ve collected going about their work in the city on whose streets they live. The game loved by children everywhere takes on a poignant layer when played by those who have never known a home¬. Pictures full of exuberance and detail bring out their spontaneous joy in a make-believe world, which trips side by side with the harsh reality of their lives.

Zai’s uncle is the famous 'birdman of India' Salim Ali, everyone in her family is a birding expert, and she herself can’t so much as identify the pipit sitting right under her nose. In this delightful portrait of childhood, Zai Whitaker recounts her early birding woes and how she winged it. Prabha Mallya’s pictures pick up the humour, and are an arresting collage of a bird-filled Bombay of the past, and a troubled little girl with a ‘superstar’ uncle!

Aadya looks just like her mother (Aai) same little nose, same delicate ears, same big eyes and identical thick, long hair. But one day, Aai goes away to a big hospital with a promise to return before she learns her next Math lesson. The long-awaited return shocks Aadya because her mother now looks entirely unlike her. She wonders if Aai will ever greet her with her usual cheery, "Hello! Mini-me." Or will She have to take matters into her own hands to hear that again? With lyrical prose and a tender touch, Aai and I is an empowering story about the bond between a mother and a daughter and of the little one finding her own identity as she no longer 'looks' the same as her mother. Mamta Nainy captures Elan Aadya's innocence, impatience, and dilemma, and Sanket Pethkar's vibrant, gorgeous artwork brings to life the nuanced see-saw of the child's emotions in this Maharashtrian household.

When Fakruddin worries, he gets frantic. And Frantic Fakru is now worried because his fridge is spoilt, the day is hot, and he is desperate for cold water. What does he do? A light-hearted story with a smart idea and cheerful watercolour illustrations which bring alive the ambience of Fakru's neighbourhood in Bhopal.

What does it take for a person to alter the course of a nation? Spotlighting 25 such change-making individuals, the book looks at the times in which they lived, the challenges they dealt with, and the paths they forged. Quick introductions position personalities as game changers, chatty stories sketch their profiles, crisp timelines fill in the gaps, insightful quotations balance perspectives, and creative collages present visual montages. What emerges is the powerful journey of a country at the threshold of change, committed to charting its own course, helmed by its richest resource – its people. Age 10+

On a visit to Prague, the naughty granddaughter of Princess Libusha casts a spell on Monkeyji. And the only one who can help is Shemeek, the sleeping white horse of Wysherad. But to reach him Aditi and her gang must first deal with a rude sparrow and a dragon who wants to fight. A popular Czech legend is woven into this unusual adventure. Can a problem also become a solution? In a contest, does someone always win?

Ammachi can’t find her glasses one morning and everything goes topsy-turvy! Page after page spills with drama, humour, detail and local flavour as Priya Kuriyan spins a hilarious tale about a crazy day with unforgettable Ammachi — “the archetypal grandmother from memories of my own childhood in Kerala,” as Priya says. The celebrated illustrator is at her best in her first wordless picture book.

Powerful pictures run a visual narrative in this story about a young boy named by his mother after her favourite movie star’s super-flop film – Sura! Sura grows up selling stickers at the Velankanni Church, climbing tall palms and playing under the tamarind tree. Until the day his grandfather arrives. His Thatha is different – a boom boom maatukaarar who travels through towns with his bull and drums, telling people their fortunes. His is a dying breed. A robust coming-of-age story that weaves together real life stories told by the children of nomadic communities.

Looking for a Deep Rose that may make Aditi’s grandmother feel better, the adventurers go to the coast of Devon in England. There they meet the little boy Grendel who lives under the sea, prowls around at night scaring others, can’t remember anything and doesn’t care about it. Re-casting ‘monster’ characters from the Beowulf story, the author wonders if what we see depends on how we see it. Do stories make you look at things differently? Could you be you today, if you didn’t remember who you were yesterday?

It is raining and there is not much one can do outdoors. Come and listen to Aajis story about the Kolis, the original inhabitants of Bombay, their favourite fish Bombay Duck and the citys magnificent docks.Written by Fleur D’Souza and Illustrated by Kripa.